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・ Rhythm in a Riff
・ Rhythm in Arabian music
・ Rhythm in Mind
・ Rhythm in Persian music
・ Rhythm in Space
・ Rhythm in Sub-Saharan Africa
・ Rhythm in the Air
・ Rhythm in the Clouds
・ Rhythm Inn
・ Rhythm Inside
・ Rhythm Is a Dancer
・ Rhythm Is Gonna Get You
・ Rhythm Is It!
・ Rhythm Is Love – Best Of
・ Rhythm Is My Business
Rhythm Killers
・ Rhythm King
・ Rhythm Masters
・ Rhythm Methodist
・ Rhythm Nation
・ Rhythm Nation (music video)
・ Rhythm Nation World Tour 1990
・ Rhythm of a Crime
・ Rhythm of Black Lines
・ Rhythm of Fear
・ Rhythm of Life
・ Rhythm of Life (TV series)
・ Rhythm of Love
・ Rhythm of Love (Alyona Lanskaya song)
・ Rhythm of Love (Anita Baker album)


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Rhythm Killers : ウィキペディア英語版
Rhythm Killers
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''Rhythm Killers'' is a studio album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. After their prolific output in reggae, the duo experimented with electronic sounds and contemporary recording technology, while branching out into international, cross-genre endeavors during the 1980s. For the album, they enlisted record producer and mentor Bill Laswell and recorded with an ensemble of musicians at Quad Recording in New York City. Along with their live instruments, Sly and Robbie used electronic recording equipment such as the Fairlight CMI synthesizer and electronic drums.
A funk and dance album, ''Rhythm Killers'' has a dense sound that incorporates contrasting musical elements and disparate styles, including reggae, hip hop, hard rock, worldbeat, and downtown music. Arranged in two side-long gapless suites, the album's songs are characterized by electronic grooves, striking beats, improvisational rhythms, string synthesizers, and cross-rhythms produced by turntable scratches, African and Latin-influenced percussion, and percussive raps. The album has been noted by music writers for its electronic rhythms, treatment of African-American music elements, and Laswell's densely layered production.
The album charted in four countries, including the United Kingdom, where it peaked at number 35. It was promoted with two singles, including the UK hit "Boops (Here to Go)". Upon its release, ''Rhythm Killers'' received positive reviews from music critics, who found its music interesting and praised the duo's take on funk and dance styles. It was ranked in year-end albums lists by critics such as ''NME'' and Robert Christgau, who named it the seventh best album of 1987. Encouraged by its success, Sly and Robbie continued their digital direction on subsequent albums. The album has since been out of print.
== Background ==

Amid their prolific reggae output as sessions musicians, solo artists, and production duo, Sly and Robbie—drummer Sly Dunbar and bassist Robbie Shakespeare—opened their own record label Taxi Records and attained a distribution deal with Island Records during the early 1980s. After Island founder and executive Chris Blackwell hired them to work with singer Grace Jones, the duo developed a more sparse, robotic production style with funk and dub influences.〔 This deviated from their past reggae work, as well as the genre's roots sound and light rhythms. Sly and Robbie recorded primarily at Blackwell's Compass Point Studios in the Bahamas with state-of-the-art equipment, which led to Dunbar's experimentation with electronic drums and drum machines.〔
After their work with Black Uhuru and that group's line-up change, Sly and Robbie pursued more international music endeavors.〔 They branched out into cross-genre experiments with a conceptual, ensemble-oriented approach, while developing a mentorship with record producer Bill Laswell, whom they met through Blackwell and by working on Mick Jagger's 1985 album ''She's the Boss''.〔 In 1985, they collaborated with Laswell on their album ''Language Barrier'', which had guest contributions from Herbie Hancock, Bob Dylan, Afrika Bambaataa, and Manu DiBango. Its recording developed from a track the duo had revisited from their work on the soundtrack to the 1983 film ''Never Say Never Again''.〔 The track had been done with electronic drums at Compass Point Studios, but scrapped as a rhythm track for later use.〔
A dub album,〔 ''Language Barrier'' showcased a musical clash between the duo's characteristic rhythms and Laswell's own production style,〔 with African jazz influences,〔 predominant use of the Fairlight CMI sampling synthesizer, and experimentations with tempo and dub techniques. Dunbar was enthused by newer recording technology and, in a 1987 interview for ''The Sydney Morning Herald'', said that he wanted to "be a part of it, not be left out."〔 Although it had a lukewarm reception from music critics, ''Language Barrier'' was Sly and Robbie's first work to receive international exposure. For their next album, they sought to record a like-minded album to expand their audience.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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